Why Memesist (the 100th Monkey)

When I was about 19 years old, I read Ken Keyes Jr.’s The Hundredth Monkey.  The story gave me hope.  It gave me the notion that if I worked hard enough, I could eventually find the hundredth monkey, that would tip human consciousness, to understanding of severity of nuclear arms proliferation.  I talked to everyone. I wanted to teach the 100th Monkey.

The urban myth is simple.  Scientists studying monkeys on a remote pacific island dropped sweet potatoes off  trees.  The monkeys liked the potatoes but didn’t like the dirt and sand that would stick to it.   One 18 month old realized that she could rinse the potatoes in a nearby river.  Over the course of several months, she taught the trick to her mom and some playmates.  For the next 4 years, only the young monkeys and their parents learned the trick.  The rest kept eating with the dirt and sand.  After many more months, about 99 monkeys (of several hundred) on the island had learned the trick.  What supposedly happens next is the kind of extraordinary drama that exists in remarkable stories like these.  One night, the 100th Money figures it out.  Overnight, the entire colony was rinsing the sweet potatoes.  The phenomenon, according to the myth, was that at a certain point, when a critical number reached awareness, the new understanding would immediately transfer from mind to mind.

To make the story more exciting, on other remote islands, on the opposite end of the world (of course) thousands of miles away (of course) of a similar Family or Genus (of course) other colonies of monkeys, plagued with the same crisis that hobbled their distant relatives, learned the rinsing trick almost immediately.

Ok.  I have read enough about this from various sources that this is a myth.  It never really happened.  But, to me, it’s always been a believable myth.  Not in the same category of Icarus and Daedalus. It’s been a myth that I have always operated on.

The myth, in fact, has materialized in many ways on the internet.  Once a critical mass of users begin to adopt a new technology or web service, it begins to spread organically, virally, wildly.  We’ve seen this through sites like wikipedia, google, wordpress, facebook, linkedin, etc.

Originally, I wanted to call the site the hundrethmonkey, or something closely related.  Then I stumbled across the term “meme” which succintly an idea that gets transferred from one mind to another through various means including imitable phenomena.  You can read more about it, if you care, on Wikipedia.

Like so many others, I dream that my internet webservice idea – wattmonkey – will positively infect the minds of millions, and at a certain point, usage will increase exponentially, even factorially, up to a certain point, where it will level off.

I like the idea of 100th Monkey.  I like the idea of memesism.  I do beleive that at a certain point, a certain critical mass, and idea transforms to something that is accepted by a few, to something that is accepted by everyone.

It happened with our perception of the geometry of the earth, the understanding of the earth’s path around the sun, the acceptance of gravity, the awareness of our solar system, the evidence that smoking was bad, the reality that the planet was warming, and so many more instances in history.

Maybe it’s not a phenomena as much as it is credible, verifiable and generally accepted scientific proof.  Although, it does take about 100 (or 1000) scientific monkeys, to substantiate these things.  Then usually, unless your the society is bogged down in a neo-conservative, ideological, backward thinking conceptual framework, folks learn to accept what is real.

Impressions

I have been thinking about this too much.  So many topics that I want to blog about.  So many drafts that may never be published.

This should be more simple.  It would be if I had more time.  More time.  Just sixty minutes less of sleep.  No need to urinate or defecate.  Just a few more minutes in the day.

This post is devoted to drafts which have been gathering dust.  These lingering drafts will be exposed on this post.  Although, instead of typing eight 2 ten paragraphs per topic I will only write one.

These lingerering drafts are mostly about impressions set upon me by art or artists.  All types.   Jazz-piano playing improv, comedic improv, theater, sculpture, space, visual arts, etc …

In the event that I solve my crisis with time, I will link to the unabridged versions.  But I probably won’t, so I probably won’t.

To be sure I commit to this post of drafts, I am publishing right now.  You can help me out by  answering a single poll.

1. Wilco.  Well, Mr. Tweedy and associates represent the word “share”.  The folks at Webster’s ought to take note. Wilco is synonymous with the verb “share”.  Amongst many devastatingly awesome songs, the lyrics of “What Light” explain it all.  I’d tell you, but you should listen to it yourself.

2. Art Institute  in Chicago (as a kid)

2b. Art Institute of Chicago (as a non-kid)

3.  William “Fangors” Jackson

4. Smithsonian

5. Leonard Bernstein

6. Fort Worth Museums

7. Mexico #1

8. Mexico #2

9. Natural Wonders!

n. Draft topic #n

Cold Towne (Impressions of Improv 301)

This’ll probably be messy at first. Hopefully I will give it some form within the next seven weeks.

Level 3 is being brought to us by Arthur Simone, one of the founders of Coldtowne. Level 3 is attended by the dwindling stock of folks from the previous classes.

Class #2 (Jan. 12, 2010):

Oh No. Arthur gave me crap for taking notes at the beginning of class. Which is totally fine because I shouldn’t have been. I should have been paying more attention to the actual exercise. He was right. I forgot about taking written notes for the remainder of class.

A new exercise tonight. It took us about 4 tries to begin to get a feeling for it. It’s called “Colverleaf”. We are gonna be practicing it for the next few classes. Here is how it’s played. One person throws out a suggestion. Participants will then volley ideas off the suggestion. After 8-10 vollies, the participants need to try to bring the idea back to the original. This exercise has a few merits for the class which Arthur defined. The one I remembered was that it gives us the ability to get closer as a team and be searching for ways to come back, organically, to the original suggestion

Arthur continues ask us to take it a level deeper. Don’t stick in the obvious stuff.

Class #1 (Jan. 5, 2010):

Begin to think one layer deeper than level 101 and 201 when developing scenes and characters. To get this depth, level 301 will students should be prepped for mental calisthenics. The first class was a stretch for most of us.

Where the hell is everyone? Just a thought. Tonight’s class was attended by four students. One of which was really not in the class, which is a bummer, because she brought something new. Based on Arthur’s records, there are more folks signed up. Small classes are great

Access mental data files. Think of the possible scenarios that exist in a bookstore, for example. Folks are browsing and buying, checking out others, drinking lattes, whispering or talking loudly, dropping stuff, chasing undisciplined children. Use the data stored in your mind to paint the picture of the scene.

Isolate: Wait for the first laugh (or in class the “first thing” and stick with whatever is happening at the time. Isolate this and make it the game. Try to isolate quick, within the first three lines. The sooner you get to it, the better.

Replicate: The idea is to take whatever got isolated and stick with it … usually make it bigger and more pronounced during the scene.

An example of the previous two steps. Two improvers take the suggestion “scuba diving”. The scene begins with them adjusting their mimed tanks. Within a few beats, one improver is informing the other how to get a high off of pure oxygen. First laugh. ISOLATE. The scene could’ve gone a million different ways from here. One of the ways suggested by el Don Simone was to stick with the “get high” theme and take it higher. Like, “Wow! That Oxy is rad. Have you ever freebased your snorkel? or mainlined your flippers?”

During the isolate phase, commit to either the real or unreal character. Make it clear to your partner; Let them play out the magnification. Lob your partner stuff for them to smash. Don’t try and be 2 silly people as the contrast is lessened.

There are endless opportunities to explore immediate family relationships. No wonder there are sooooo many sitcoms based on family dynamic. One of which was the tenuous love agreements of man/wife or girl/boy friends. One scene that had some potential was a woman who is asking her dude to fix a furnace. Soon, it is revealed that she has locked his toolbox away. Then there is a dialogue about “off limit” buttons being pressed. The laugh occurred when the tension released for a quick “I Love You” … then right back to the war.

Scenes that I remember from class. 1. Be’s old lady from eastern europe., 2. Be&S’s akward interview, 3. B&S’s bookstore scene, looking for a ship in a bottle, 4. Br.&J’s scene in the park, 5. Br.&J’s scuba diving, 6. S&J’s furnace fixing scene with the tools locked up …

Random Ideas for Characters and sketches to experiment with: a. Derived from SNL’s ShyRay. One character in a scene has dramatic physical reactions to partner, yet only whispers the response verbally. b. In the midst of a marathon, c. hotlines (prayer hotline, customer support hotline, insurance, etc) , d. “Depends” person, e. criteria for getting into heaven (if a gift is given to a bad guy, what is the offset in points), f. the question setup person or mr. beat around the bush, g. discussion on memory loss, h. “welcome to the pahhrtay bus”, i. diner at a fine restaurant that serve odd stuff (polynesian fried parakeet, fish nard salad) along side regular things (fried mushroom, cobb salad) and which wine would you suggest? j. inky pinky, k. dog dude (responds with wags and pants).

Cold Towne (Impressions of Improv 201)

Ohhh. I have been putting this off. I am gonna start gathering some notes from random places in random notebooks. I am also gonna reach out to some students that took the course and ask if they can supplement.

BUT I had to post this, otherwise, I wouldn’t have ever started to track what is happening in Level 3 at Coldtowne.

Also … I need to get around to posting some notes from Jill Bernard’s workshops from last Nov.

Right now, I halfta begin recording what we are doing in Level 3.

Oct 30th ADS DoD Celebration

What a perfect day for a perfect celebration by practically perfect people.  I may eventually attempt to describe what occurred in words, but chances are that I won’t.  The videos and pictures describe themselves.

For a limited set of pictures, taken by Allison and J, see our Flickr set.

Mighty Mice Getting Ready

The Raven and the Blazing Beasts

Little People Singing, Circling and Tunneling

Long Walk for the Living, Short for the Dead

Oh, and also, we took some videos of talent show participants in the Mysterious Mockingbirds. If your kid performed and you’re interested, sent me an email, comment on this blog or a morse code and i’ll send it to you.

Purposeful Code

1. Preface

This is my newest endeavor following WattMonkey.  It incorporates many of the underlying principles of previous effort.  These principles include 1. value to the community, 2. open source software architecture, 3. free to use, and 4. no device restrictions.

In addition, it is assumed that the Purposeful Code Project (PCP) is not a unique idea.  It’s assumed that many folks have already conceived something similar, but haven’t materialized anything.  Therefore, there is nothing to hide.  No NDA required for this.

Unlike WattMonkey, no lawyers, consultants, accountants, financiers or other folks wanting to sell services are desired in the first iteration.  If necessary, they’ll be brought in post-V1.

Finally, my approach to learning is to begin with zero preconceptions, zero knowledge.  This is similar to establishing a hypothesis in scientific experiments.  The next step is to challenge the idea and seek inputs that may change or enhance the concept.  Testing the idea occurs in conversations with people and late nights on the internets.

2. Concept

PCP is a simple web application that connects talented engineers, analysts, project managers, etc with purposeful coding projects.  Virtual tribes will form around single applications.  There is no commitment.  There is no pay.  The reward for participation and completion is attribution and acknowledgement.

If PCP produced application can be monetized, equity will be assigned based on % of participation in project.  PCP will negotiate a % for operational costs.

PCP will be non-profit.  There are many new companies doing social or earthly good for profit.  It is my belief that many of these projects would be more successful if there was no focus on revenue.

3. Problem

Both large and small companies have subdued millions of hard working IT professionals with lucrative salaries and abundant benefits.  PCP offers a risk free environment for developing applications without risking the day job.  To participate, nobody needs to give anything but after hours time.

4. Solution

An application that connects human resources to global issues.  These humans will form tribes.  The tribes will have a single leader, shared interests and a purpose.

5. Tribes

There are no restrictions to individual projects beyond what is required by project manager. The project manager will serve as tribe leader.  Tribes can be local in that members live in the same geography.  Tribes may be dispersed, in that members live around the world.  There should be no restrictions with regard to education, social economic status, ethnicity or other conditions beyond our human control.  In other words, everyone is invited to participate.

6. PCP Role in Tribe’s Success

PCP will allocate resources to assist in project success.  The primary contributions will be to democratically prioritize projects (all participants have 1 vote) and to assign project to capable leaders.  Each project will have a set amount of time with PCP leads.  The amount of time needed and the cadence of meetings will be defined by Project Lead.  Agenda of these meetings will be defined by both the Project Lead and PCP advocates.

PCP will also be responsible for operations.  PCP will cover costs related to hardware, software and human resources.  PCP will track projects from inception through success deployment and adoption.

There are no requirements expected of the development team post release.  If an engineer or developer would like to maintain the free version of the application voluntarily, they will be allowed to do so.

7. More Details on the Basic Requirements

Free.  Applications developed by PCP Community must be free to end users.  Once the application has deployed, PCP will manage versioning, bugs and requests for enhancement.

8. How it will Work

Description of application and how users will interact with PCP.  Library of projects.  Matching skills and interests to projects.  Back end contact management and project management systems.  Users of PCP front end application will see a. progress and simplified description of projects and personal information submitted to PCP.

9. Why it will Work

Folks want to participate in change.  This includes individuals with or without paying jobs

10. Post Deployment Assumptions

Opportunities to  …. monetization of PCP applications

Definitions

Participant:  Any individual who contributes more than 10 hours of successful contributions to PCP.

Project Lead:  An capable, friendly and trusted individual assigned to a purposeful project.  The Project Lead will determine goals, process, timeline and roles for project.  The Project Lead cannot individually dismiss volunteers.  In the event that a human problem arises during the project, PCP will work to mitigate and resolve with all involved.

Character Ideas

Note to Readers:  Many of these ideas are not my own.  Rather, they belong to the community of improv students/teachers that I have worked with at the CT Observatory in Austin.  Or even greater, they belong to anyone that wants to further develop the character.  Some of the ideas have come directly from other students who will be named as “originator” in details below.

To get things rolling, I am gonna make a list of characters and capture a few high level details about each.  These details include 1. character title, 2. character kicker, 3. originator (who first thought of it), 3. POV, 4. Other details

The Movie/Song Quoting Freak

This is the social introvert that is only capable of describing his life and perspectives through quotations.  Might be contrasted in a individual/group therapy session environment where doctor plays straight, encouraging character to speak in his own voice.

The Illiterate Yet All Knowing VP

I’ve met a few of these folks but have a really hard time describing them.  This is due to a strong desire to forget about them.

The Mexican Reporter that Over Pronounces English Terms

It’s common for American reporters

The “I am not trying to say …” Person

I am not trying to say your breath stings, but why don’t you chew a piece of gum

The Mystic Stutter

A Crytalling Balling, Palm Reading Mystic with Stuttering Problems

The Suspiciously NOT GAY Guy

Your average McCain/Palin supporter, with a twist.

The Jewish “Al Queda” Wannabe

Who really wanted to Piss Off Mom and Dad

The IT Analyst “Business” Wannabe

Jargon, Jargon, Jargon

The Sheepish Fella Dressed as a Wolf

The Sheep in Wolves’ Clothing at the Costume Party

The LISP WHISPERER

The “Caesar Milan” of the Speech Impediment Society

Smack-tack-tivistiously

The hypocritical smack talking activist.

The IT Analyst, Circa 1234 BC

What they said during a requirements gathering session.

The Better (or the Betters)

Hmmmm.  Can’t remember

Polish Surfer Dude? or Polish anything!!!

The Apologetic Bully

I am soooo sorry I just knocked your teeth out dude!

The Blind, Deaf Calculus Professor

A real person here in Austin.  I took a college course with him.  One night, he lectured in grunts while solving complex Optimization riddles.

The National Inquirer Reporter

The real reason behind the half-truth reporting.

The Timid Soprano

Disassociate Yourselves

I caught about 15 minutes of Terry Gross’ interview.  First, I should admit that I have had a deep crush for Terry Gross for several years.  Allison knows about this.  It’s just a celebrity crush.

Anyhow, often she has guests – like all the time – that are so arresting that I nearly crash my old car.  Fortunately, my stereo is a bit whacky and i’ll loose reception just at the right time.

Tonight, there was this guy who recently wrote Republican Gomorrah: Inside the Movement that Shattered the Party.   Max Blumenthal is an investigative reporter and during the interview exposes a chilling story of the rise of crazed, misguided republicans that are being influenced by folks Wimpy Whiny Glenn Beck and Sean Insannityy Hannity.  These two are in fact a bit less outrageuous than some of the more popular radio talk shows.   Millions of Americans are listening.

Here’s a link to the Interview. A ‘Shattered’ Republican Party?

Their message is that an uprising is coming.  Encouraging gun enthusiast to stock up on 50 Calibers.  Their message is that Obama is a facist, or a terrorist, a Muslim, a communist, or whatever words Americans fear most.  They are accusing Obama of long term plans of sending political, far right disidents to prison camps and death panels for Grandmas.  I can’t remember how Max described it, something along the lines of they are making the President a political pinata of the most venomous hodge-podge of fear garble.  Further, he stated that most don’t even know the difference between Socialism and Facisism.

The seeds are being sewn and the field of followers ar vast.  Posters of Obama with a Hitler Mustache.  Folks coming to townhall meetings armed with AK-47s.  Has there been anytime in US history where a large minority have been so viscously opposed to an administration.

It makes me wonder.  Are my conservative friends and family buying this stuff?  Do they really see an association between Barack Obama and Hitler?  It makes me wonder if the so called Socially Liberal, Fiscally Conservative fence sitters are starting to question themselves.  My conservative friends share many of the beliefs that I have.  If anything, we aren’t far from agreeing.

I wonder if my conservatives buddies are offended by these neo-con, militant, fear mongering talking heads.  My conservative friends are ration.  They think for themselves as much as my liberal friends.  I couldn’t imagine how they would believe some of this stuff.  Is now the right time to move left, and disassociate yourselves from the GOP.  Or maybe do the more honorable thing and start electing candidates that want to help America, as opposed to fight for the past.

I am not as informed as others on topics such as healthcare.  But providing for those that don’t have it while allowing the vast majority of others to stick with their existing plans doesn’t sound horrible.

Hitler was a pretty bad guy.  Obama is just a moderate (who angers far lefters) who happens to black.  Where is the association?

The theorizes that a culture of “personal crisis” has transformed the Grand Old Party — and threatened its future.

Cold Towne (Impressions of Improv 101)

“And in the end, the love you take is equal to the love you make”  The Beatles

WARNING TO READERS

To whoever might read this. If you were a 101 student @ Cold Towne Theatre during late Summer 2009 (Aug-Sept) in Austin Texas, next to I♥Video on Airport Blvd. with Lisa Jackson who is an EE by trade, but doesn’t do anything related to EE now, and a fellow named Brett was in your class who was really funny, this page may be of interest. If you have a similar blog, send me a link. OR if you don’t know what a blog is and would like me to tell you, send me an email.

Props for Peers

Steve Donovan is very sexy and has a deep voice.  Check out his non-wordpress blog site @ http://brevebronovan.blogspot.com/ or just click on the embedded youtube video 500 times from 500 different computers in 500 countries.

Summary (for those w/out the time)

The following is a super short list of the things the trainers at Cold Towne repeated hundreds of times.

  1. Make your partner look good
  2. Cooperate and play nice
  3. Listen, your partner might be endowing (either themselves or you).  Pay attention.
  4. There are no rules. Guidelines are extremely helpful when starting out
  5. Support you partner’s reality
  6. Every instinct and action is Awesome
  7. Get out of your frontal lobe, stop worrying about how you look, you look great
  8. Mime things, practice miming daily.  Don’t make your action so complex.
  9. Asking questions, or interrogating your partner, isn’t really that funny.  Develop your own character.
  10. Be specific about your character’s hopes, dreams and aspirations.  Then magnify it by 1000.

Impressions and Lessons and Other Scattered Thoughts of Improv 101 at Cold Towne Theatre (so far, according to J):

  1. It’s not necessarly about comedy, rather self awareness. There are about 1 jizzillion definitions of improv. In the end, it’s about making your partner look good. It is about accepting their reality.
  2. People are coming to shows, with beer in hand, to laugh.  It’s not that hard. You are not failing if they don’t laugh. Art is about provoking thought. Be provocative.
  3. Be yourself, dont be afraid. Especially if you’re in a workshop. “It’s a lab, try everything” says Brett.
  4. At least one person in the audience is gonna think you’re not funny, so what.
  5. It’s therapeutic. Explore themes that are familiar. Not only do you know them, but you can feel them. Don’t strive for resolving past hurts. Remember, this is comedy, but work in areas that you can relate.
  6. There is nothing that is “wrong”.  Everything is right.  No need to argue or disclaim.  Practice experiencing the other’s reality.
  7. Life stories have themes, themes can be branched off into opening lines.
  8. Developing the “where” in a scene may come last. Explore the plotless improv. To “cooperate and discover” is another way of stating “Yes and …” Plotless improv begins with who you are and what you are. The plot, where the scene goes, naturally evolves. Concentrate on your point of view (POV). I am a bartender, these people work for me. I am a middle manager, I want to be more, I have people that report to me, so pressure is from the top and bottom.
  9. Keep busy with objects, miming objects, if you don’t have anything to say.
  10. Understand what you want to get out of it.  Each class, ask yourself, why the hell did I come here tonight?  Do I want to laugh at Brett?  Do I want to ask questions to John that I know he can’t answer?  Do I want to imagine myself as Steve Donovan’s fraternal twin?  Do I want to go on stage?  Just think about it.  Often know what you want before you do something, even if it is the same thing over and over and over and over again, ask yourself.  ”What the Flock am I doing here?”
  11. Do vocal warmups that are silly like “A Fly and a Flea in a Flue, were imprisoned, now what should they do? Said the Fly “Let us Flea!!!”  ”Let us FLY!!!” said the flea.  So they flew through a flaw in the Flue

More Scatterings (notes from Plotless Improv taught by superstar Rich Talarico taken on my iPhone when I wasn’t laughing)

  • Who and what.  If you are leading with this, plot will inevitably develop
  • Establish and discover, together.  This cooperation and discovery is just another way of saying “Yeah! And …”
  • Avoid plot, focus on relationships, things you are miming, shop talk, blah blah, it will quickly become obvious to you and your improv buddy where you are. Start with what helps, what comes natural.
  • Who and where start with that.  What is in your hands, really work with it and feel it.  Establish a “something” that IS NOT complex.  If you miming what a lab technician does during lunch break, your partner and your audience won’t get it.  Make your mime simple and clear.  Let your interaction with the thing define who you are and where you are.  Why you are there and what is gonna happen is stil; up in the aid
  • Shop talk when dialogue starts, what would a character that has been given your endowments do, what are they thinking, what are their hopes, dreams, aspirations and something else.
  • Cooperate and discover another way of saying YES AND
  • Thinking about suppporting someone elses point of view
  • Do something for ten minutes of something every day MIME
  • Half done is well begun.  Rich Talarico said this about 31 times.  It’s pretty simple, super accurate.
  • Rich recommended that every take a look at the liner notes from the best selling Jazz record ever, “Kind of Blue”.  Certainly, many folks that do improv have read this.  For those who haven’t, I am only providing a piece, if your interested in the who version, look it up on a search engine.  Finding it was fun.  Anyhow, not only is it the greatest jazz album, it was entirely improvized.  Bill Evans, the pianist, wrote this in the liner notes, 1959:

This conviction that direct deed is the most meaningful reflections has prompted the evolution of the … unique disciplines of the … improvising musician.


Group improvisation is a further challenge. Aside from the weighty technical problem of collective coherent thinking, there is the very human, even social need for sympathy from all members to bend for the common result. This most difficult problem, I think, is beautifully met and solved on this recording.


Miles Davis presents [on Kind of Blue] frameworks which are exquisite in their simplicity and yet contain all that is necessary to stimulate performance with sure reference to the primary conception.


Miles conceived these settings only hours before the recording dates and arrived with sketches which indicated to the group what was to be played.

  • POV Exercise: Inanimate object’s and their point of view.   This was a lot of fun to watch.  The audience was asked to shout out things that you’d expect to find in a glovebox.  About 30 suggestions were identified.  The performers were then asked to select one of the objects and become the object.  In the glovebox, for example, the performers choose to be a flashlight, an insurance card, a cellphone charger and a stick of gum.  Then the scene began.  Each performer was then to develop the POV of their object.  The insurance card was statistical and matter of fact. The flashlight realized that his batteries were corroding and the troupe lifted his spirits be discussing other potential uses for a flashlight, like a blunt instrument for fighting.  The point, deeply consider what you are endowed with and create the character around it.  These developments in POV eventually lead to a plot, or maybe not.  Some other iterations included a Junk Drawer and Grandma’s living room.
  • Keep busy with objects if you don’t have anything to say.  Quickly and clearly go out with something you are doing, to establish the character, for example washing dishes and shaking a mixed drink.
  • A character’s Point of View (hopes, dreams, fears, aspirations) is naturally established through shop talk.  One of the character in a specific scene, was discussed in depth.  The middle manager in a WalMart.  What would that person’s hopes, dreams and fears be?  Knowing these qualities, how might they interact if they were sitting at lunch break with a senior manager.  What would they say?  What would the shop talk be if interacting with a subordinate?
  • Follow your own thread once you establish POV
  • At some point, someone asked something along the lines of “what is the reason for this exercise? It’s not as if we ever do this?” or “Can we include this ‘other’ improv technique while practicing this new one?”  Rich gave a response that is fitting for for any type of question of this sort.  ”A boxer in training jumps rope every day for several months in reparation for a bout.  Although the boxer never jumps rope when boxing.”
  • 1000 pots.  Not sure when or how this fable/myth/story came about.  But Rich told the story of 1000 Pots.  I looked around for the actual story on a thousand differne t websites, but couldn’t find it.  Maybe he made it up.  A professor asked the students to create 1000 clay pots.  He divided the class into two teams.  The first team was directed to create one “perfect” pot.  The second team was asked to create 999 pots.  The students went off to work.  Upon completion, the professor’s hypothesis was proven.  After analyzing each pot with specific criteria, the “perfect” pot emerged from of the work of second team.  Through practice, trial, error and repetition that finer craftsmen ascend.

Exercises – Just of list of exercises to warm up and connect.

Note: In college, at least for the first 2 years, I studied Theatre Arts.  I performed in over 20 shows both professionally and as a student (alot less as a student).  The warms ups and exercises of a stage actor have a different outcomes than that of the improv performer.  The stage actor seeks to warm up the body and the voice with various tongue twisters and songs, etc.  Often these exercises are led by the director and the entire cast participates.  The intent of the warmups for improv performers is to clear the mind and connect with the team.  The stage actor warms the voice and body; The improv actor connects and clears the mind.

  • My favorite – Where have my Fingers Been?  The chant goes … Where have my fingers been, I said where have my fingers been, SAY Whaat? (or Oh Noooo or Uhh Huhh!).  As you go around the circle, your right hand partner will endow you with a location … then you perform a scene between your 2 index figures in the endowed location.  Your index fingers are the characters.  You can do what ever the hell you want, but keep it under 30 seconds.  When done with the finger scene, start the chant, then endow a location on your
  • Chezhoslavikia. Sha boom Sha Boom.  Yugoslavia sha boom sha boom.  let’s get the rhythm of the (hands, feet, hips, etc).  Simultaneously doing a patterned clapping thing to the rhythm of the chant
  • Passing the Clap.  In a circle, as if you were tossing a ball, you make visual connection with someone, then clap.  Simultaneously, the recipient (the person you visually connected with) claps.  Then the recipient passes the clap to someone else in the circle.  connect with another
  • Protest.  Four words.  Then chant like a protester.

More Randomness that May Seem Less Random

  • Make references to come back to like “I learned blah blah”ha
  • 2 people in reality is drama; 1 person in reality and 1 person in not reality is  comedy
  • It’s ok too not try to be funny

Parthenocarpy

Does anyone follow M-W words of the day OR have a screensaver that displays words and definitions?

I do.  I saw Parthenocarpy early this morning.  What a word!

I have long believed that M-W has purposefully placed significant words to their daily postings.  I remember during the elections and during not-so democratic actions by the former administration, times that M-W would define words with implicit meanings to current events.

Parthenocarpy?  How does this relate?  I browsed the headlines on AP News (Aug 9) and here is what I saw:

  1. Obama presses for new tone in US ties with Mexico”,
  2. “1 million evacuated as powerful typhoon hits China”,
  3. “7 bodies pulled from Hudson after midair collision”,
  4. “Chavez urges military to be prepared for conflict”,
  5. “Immune system cancer found in young 9/11 officers”,
  6. “Iran judiciary looks to calm prison abuse outrage”,
  7. “‘The View’ star Hasselbeck has 3rd child, a boy”,
  8. “Damon, Teixeira power Yankees to 5-2 win over Sox”,
  9. “Tiger rallies to win at Firestone”and
  10. “SC gov’s plane use questioned”

Oh, btw, M-W defines Parthenocarpy as “the production of fruits without fertilization”.  You probably already knew this if you clicked the above link.

A few of the headlines feel somewhat related, but one is worth reading.  ”Chavez urges military to be prepared for conflict”.    I could see myself describing the situation in Venezuela with the word “parthenocarpy.”  It might be a stretch, but I could use the word for describing stories #1, 6, 7 (no brainer) and 10.

M-W words that are promoted in screensavers or by email or rss, have a anti-”horoscope” type effect on me.  By anti, I mean that horoscopes tell the future, M-W words make me think about the present.

I read the definition of “parthenocarpy”, read the headlines and made an association.  It’s my association.  I associated the definition with the Chavez headline.

Why do we hate Chavez sooooo much?  Is Venezuela really a threat.  My assertion is that Chavez has some similarity to Barry Bonds.  They are both dickheads.  We are disgusted by their actions, but for some reason, we accept them on the playing field.  We, as Americans, righteously sing/chant our discontent when they appear in the headlines, or stepped up to bat, or made a press appearance, or whatever.  We band together and trumpet BOOOOO!!!

The differences between Bonds and Chavez are, needless to mention, significant. One that i’ll focus on is what we know versus what we don’t.  I’d bet that 94.3% of Chavez haters, don’t know about the situation.  They Booo becuase their neighbors tell them to.  Non-Booers are anti-America.  On the other hand, 93.6% of Bonds haters know alot and are proud of their studiousness.  They know baseball, they know steriods, they know a liar, and are justified.

What I know about Latin America, its politics and economies, and the history of Venezuela, assists me in not being too surprised with our national dislike of Chavez.  He is a belligerent asshole, who without apology, disses the US whenever the opportunity arises.  When Americans are dissed, they typically jump in a fight.  The word “typically” is an important clarifier.  In this context it means IF the “disser” is sitting on top of a boatload of Texas Tea, THEN we fight ELSE we call them a lunatic, a nutjob. North Korea’s boss is a crazy looking short, balding goof.  No worries.  Saddam, Achmedahdedachmenadeenajob, Chavez and the rest are NOT nutjobs purely due to their geological fortunes.

Ok.  These guys are all nutty.  But the ones we go after, the ones where we can justify military intervention towards, are the ones that have boatloads of oil.

At least 1/3 of Venezuela’s cash flow is derived from it’s bubbling crude.

Venezuela is a beautiful world.  In my case, mythical.  It is the country where my oldest brother was conceived.  It is the country that my parents served in the Peace Corps during the late 60’s, it kept Dad out of Vietnam, and I am grateful. It is the country where my Father became a pinball wizard.  A witch doctor healed my Mom there, from what I don’t know, but apparently it worked. Venezuela is a third world, struggling for survival.  Venezuela is a beautiful, mythical world.

So what about Hugo?  In my fantasy, he is a guy trying to wear Robin Hood’s tights, without looking gay; Rhetorically damning the overly fortunate and inspiring the downtrodden.  What is wrong with this?  We encourage “faith” and “hope” to everyone who is without means.  The most purely religious folks I have me, are dirt-ass poor.  They pray and pray and pray.  They walk the talk.  Unlike the the very well endowed religious folks that contort the bible to elicit hate and to justify bad behavior.

I am not religious btw.  Or at least I don’t go to church.  I am not a church hater though.  I just like to sleep in.  I believe in God, but I have very little expectations.  I believe in evolution and science too.

Hugo is “producing fruits that aren’t ripened”.  That’s cool.  Isn’t that what we all do?  For example, I want to get a motorcross dirt bike.  Allison is doesn’t really support the idea.  SO what do I do?  I slowly, cautiously, ripen the fruit,  By the time it’s ready for consumption, she is hungry.  I get the bike, she is happy and filled.  And when I crash and get head stitches, she is excitedly licensed to say, “I told you so”

I don’t think that Hugo Chavez is as evil as we percieve.  He may look funny and say offensive stuff, but he’s not a threat.  He is speaking to all Latin Americans who feel bungholed by North America.  There is alot of stuff that the US has done to Latin America that would justify great discontent, hatred and anger. Hugo Chavez might be ripe (ripe could mean that he needs deodorant, or it may mean fresh, as in someone who talks smack).

I really like the word “parthenocarpic”.  I also like the many meanings of ripe.  I don’t like Barry Bonds and I am not an advocate of Hugo Chavez.  It’s my opinion.  That’s all.  I am a ripening fruit.

Nigerian Troops Kill Islamic Militants

I was thinking about going crazy on a UE document for my favorite web designer of all time.  But alas, I am really really pisssed about something I just saw in my rss reader. Not too sure where to begin.  I am venting anger and discontent.  Sometimes when I get really mad, I just go all over the place.  So, that’s what I’ll do.  Scatter.

Here’s the AP headline: Nigerian troops kill 100 Islamic militants.  There are a bunch of others, just scroll down for a list of related articles on the AP story.

Quick and Flashy Digression: Remember Bhophal, India?  For a brief, refreshing, cathartic update, see the Bhopal Information Center (by Union Carbide).  These guys are the experts and credible.  Initial reports, 24 hours after the explosion, was that around 2,500 people died.   If you’re feeling aroused, check out the unabridged Wikipedia version.  Keep in mind though, it’s Wikipedia.  Anyone can write that stuff.  They claim that 10K died w/in 72 hours, 25K have died since.  That’s about 35K … uhh … people.  Gas plant explosion: 42 tonnes of methyl isocyanate (MIC) gas released.

So what?  Today, the brilliant minds of Homeland Security, CIA, DOE, etc. are studying the tragedy closely.  Hell Yeah!  Learning from little mistakes.  What if one of those Easterners came to our Shining City Upon a Hill and tried to blow up one of our technologically towering chemical facilities.  Our Government has our backs. They’re studying Union Carbide’s accident in India to protect us from Terrorists.

Back to Nigeria and the AP Headline.  Months after I turned 25 years old, when I was living in DC, nine Nigerians were executed by hanging.  Chances are you don’t remember, I barely remembered until I read the AP headlines.  Ken Saro-Wiwa and the Ogoni 8, sat in prison until the story died down.  When the time was right, The Nigerian Government (80% funded by Oil), executed the prisoners.  Some liberal New Yorkers tried to intervene by writing a letter and all signing it, read it at The New York Review of Books.   They wrote the letter in April 2005.  Ken and the Ogoni 8 were executed later that year.

Excerpt from Boycott Shell:

Ken Saro-Wiwa and the Ogoni 8 were leaders of MOSOP, the Movement for Survival of the Ogoni People. As outspoken environmental and human rights activists, they declared that Shell was not welcome in Ogoniland. On November 10, 1995, they were hanged after a trial by a special military tribunal (whose decisions cannot be appealed) in the murder of four other Ogoni activists.

Check out this short, sexy story from The Economist, Shell in Nigeria: Spilling Over.  Should article titles be italicized?  Whatever. The short article has some decent background of US interests in Nigeria and blood money.

So what?  Well, it’s not just about a few environmental activists getting executed in 1995.  Supposedly, Ken Saro-Wiwa’s final words were “the stuggle continues.”   If you’re interested in more – like an entire book more – check out Dr. Owen’s  (Ken’s brother) account in “The Politics of Bones” by J. Timothy Hunt

I really need to work on the UE document I mentioned earlier.  So I am gonna wrap this up.  I am feeling less angry now.  More focussed, ready to work.

In conclusion, sort of, getting back to today’s headlines.  According to the BBC, about 140 Nigerians have been killed recently in what the Nigerian President referred to as a potentially dangerous problem that had to get nipped in the bud.  I like that.  We can now use the word “nip in the bud” when referring to killing a bunch of people.

Who were these Nigerians that had their “bud’s nipped”?  Religious Islamic people.  About 50% of Nigerians are Islamic (95% Sunni); about 40% of Nigerians are Christians (Catholic or Protestant).

So, what’s a good Christian to do when they want to go out and kill some people, without getting heavily scrutinized?

Well, since the beginning of 2000, if you want to justify killing alot of people, call them terrorists.  Grab your most lethal weapon [pitchforks, sledgehammers, bunkerbuster, blockbuster, DQ hungerbuster, AKs, or any other weapon of destruction (check out http://www.agarms.com/ for some great ideas and cutting edge neo-con thinking] and start killing those mother effers.  No judge, no jury, no vote, don’t think about it, just kill kill kill.

If you can’t label them as terrorists, call them religious Islamic freaks.  If that doesn’t persuade folks (not that you care to convince), just call them middle easterners.

There is really nothing wrong with killing them.  They don’t like us to begin with.  Most importantly, it’s about maintaining our standard of living.  Driving.  Using gas.  Eating well.  Living it up in the West.  Afterall, there Terrorists, or at least the AP referred to them as “so-called” Nigerian Taliban.

What’s all the fuss about really?